Bach Bibliography
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Series : ^[p]BICB_Manchester$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Abravaya, IdoBach's tempo practices: tempo changes. [p]BICB_Manchester Jul 2004
2. Crist, Stephen A.When is an aria not an aria? Terminological and generic distinctions among the solos in Bach's vocal works. [p]BICB_Manchester Jul 2004
3. Dirksen, PieterJ.S. Bach and the tradition of the moto contrario. [p]BICB_Manchester Jul 2004
4. Elferen, Isabella van'Seuffzen und Thränen': of sighs and tears in Bach's vocal works. [p]BICB_Manchester Jul 2004
5. Fehleisen, FredBWV 245/12b: a practical issue with compositional implications. [p]BICB_Manchester Jul 2004
6. Franklin, Don O.Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. [p]BICB_Manchester Jul 2004
7. Hartinger, AnselmMendelssohn and early nineteenth-century Bach reception. [p]BICB_Manchester Jul 2004
8. Leaver, Robin A.Theological Bach Studies: towards a working bibliography. [p]BICB_Manchester Jul 2004
9. Lutterman, JohnWorks in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. [p]BICB_Manchester Jul 2004
10. Maul, MichaelNew Bach documents from central German archives. [p]BICB_Manchester Jul 2004
11. Paczkowski, SzymonSinget dem Herrn ein neues Lied (BWV 225) by Johann Sebastian Bach - functions and meaning. [p]BICB_Manchester Jul 2004
12. Tomita, YoRe-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. [p]BICB_Manchester Jul 2004
13. Wollny, PeterArchival research and the identification of copyists [p]BICB_Manchester Jul 2004
14. Kokole, MetodaDiffusion and circulation of the 18th-century Italian opera between Gorizia, Trieste and Graz. [p]BICB_Manchester Jul 2004
15. Beißwenger, Kirsten; Kobayashi, YoshitakeWork in progress: the copyists' catalogue of the Neue Bach-Ausgabe. [p]BICB_Manchester Jul 2004
16. Cameron, Jasmin M.Vivaldi's Crucifixus in its descriptive and rhetorical context. [p]BICB_Manchester Jul 2004
17. Kevorkian, TanyaJ. S. Bach, the Baroque and pietism in Leipzig in the 1720s and 1730s. [p]BICB_Manchester Jul 2004
18. Leahy, Anne; O'Toole, RedmondBach's Prelude, Fugue and Allegro for lute (BWV 998): a Trinitarian statement of faith? [p]BICB_Manchester Jul 2004
19. Wolff, ChristophThe Bach-Archiv and source-critical research: an introduction. [p]BICB_Manchester Jul 2004

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